By the same token, I've started to think that Julian Spalding must be the whacky one. If you recall one of my earlier posts, Spalding took the view that Duchamp wasn't a particularly good artist and had managed to hoodwink people into believing he was important.
Now I've read that Duchamp was one of the key advisors of Peggy Guggenheim. She bought a lot of art on his say-so, and it was Duchamp that gave her ideas for some of her exhibitions.
Tick tock tick tock
Actually, time has passed since I began this post and last night (May 26) I finished reading "What are you looking at" and my opinion of Gompertz has changed somewhat. I've become a bit more sceptical. He's clearly a huge fan of Duchamp and sees his influence in nearly every bit of modern art he looks at.
So I think I'll halt this post now and write a new one about Gompertz and his book.
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